kaiwrites

https://archiveofourown.org/admin_posts/33836

I. SPOTLIGHT ON FANLORE

In November, Fanlore ran the Fanlore No Fault November challenge: a catch-up event for earlier badges editors missed! The challenge ran from November 16 to 30, with many editors participating and earning badges from previous months.

Curious about editing Fanlore? Check out the New Visitor Portal and Tutorial for getting started!

II. ARCHIVE OF OUR OWN

On November 14, we celebrated AO3's 16th anniversary! \o/

Accessibility, Design & Technology continued to prepare emails for translation and improved how the download and chapter index menus behave with each other on smaller screens.

AO3 Documentation updated the Contacting the Staff FAQ.

Open Doors finished importing Oz Magi, an Oz annual gift exchange, and Stayka's Saint Seiya Archive, a Saint Seiya archive. They also shared an annual roundup of the fanzine collections created in the last year for fanworks imported through the Fanzine Scan Hosting Project (FSHP) and announced the upcoming import of a Harry Potter archive, PhoenixSong.

In October, Policy & Abuse received 5,061 tickets, setting a record high for the third month in a row. Support received 3,043 tickets. Tag Wrangling wrangled over 600,000 tags, or over 1,380 tags per wrangling volunteer.

Tag Wrangling also continues to create new "No Fandom" canonical tags and announced a new batch of tags for November.

III. ELSEWHERE AT THE OTW

TWC continues to prepare for the two upcoming 2026 special issues: "Disability and Fandom" and "Gaming Fandom". The submission deadline for the two 2027 special issues, "Music Fandom" and "Latin American Fandoms", is also quickly approaching on January 1.

In November, the OTW filed an Amicus brief in the United States Supreme Court, arguing that the Supreme Court should clarify the rules surrounding who can challenge a trademark registration application. In a case involving whether someone should own the trademark "Rapunzel" for dolls of the character Rapunzel, the OTW argued that the Trademark Office should consider the interests of the public—including fans—in deciding whether to award private ownership over a word or symbol that may be in the public domain.

Legal also worked with Communications on a news post about recent legislation and have responded to a number of comments and queries on this post and other issues.

IV. GOVERNANCE

Board continued work on annual turnover and meeting with all committees. They made progress on the OTW Procurement Policy and expected to get it finalized soon. They, along with the Board Assistants Team, also continued to work with Volunteers & Recruiting and Organizational Culture Roadmap on the ongoing Code of Conduct review.

Development & Membership has been catching up on post-Drive tasks.

V. OUR VOLUNTEERS

December 5 was International Volunteers Day! As a volunteer-run organization, the OTW would not be possible without the support and diligence of our volunteers. We thank all our volunteers, past and present, for the work they've contributed to the OTW.

If you're curious about volunteering for the OTW, we recruit for various positions on a regular basis, and recruitment will next open in January.

From October 25 to November 22, Volunteers & Recruiting received 287 new requests, and completed 270, leaving them with 63 open requests (including induction and removal tasks listed below). As of November 22, 2025, the OTW has 983 volunteers. \o/ Recent personnel movements are listed below.

New Fanlore Volunteers: Luana and 2 other Chair-Track Volunteers
New Policy & Abuse Volunteers: Anderson, Araxie, corr, Aspenfire, Klm, Mothmantic, Nova Deca, vanishinghorizons, and 1 other Volunteer
New Tag Wrangling Volunteers: 90Percent Human, Aeon, Alecander Seiler, ambystoma, Astrum, Atlas Oak, batoidea, Bette, Bottle, bowekatan, Bruno, Chaosxvi, Destiny, DogsAreTheBest312, Dream, elia faustus, Ellexamines, Elliott W, Gracey, jacksonwangparty, Jean W, Kalico, Keira Gong, Kiru, lamonnaie, Lavender, Loria, Lucia G, LWynn, Max, Nikki, Nioral, noctilucent, Our Hospitality, Primo, Rie, Salethia, Sapphira, sashene, Schnee, Scylle, sneakyowl, soymilk, Thaddeus, TheCrystalRing, thewritegrump, Water, Wintam, yucca, and 1 other Tag Wrangling Volunteer
New Translation Volunteers: 1 Translator
New TWC Volunteers: Lys Benson (Copyeditor)
New User Response Translation Volunteers: Cesium (Translator)

Departing AO3 Documentation Volunteers: 1 Editor
Departing Open Doors Volunteers: Irina, Paula, and 2 other Import Assistants; 1 Administrative Volunteer, and 1 Fan Culture Preservation Project Volunteer
Departing Policy & Abuse Volunteers: 1 Communications News Post Moderation Liaison
Departing Tag Wrangling Volunteers: Julia Santos (Tag Wrangling Supervisor); blackelement7, pan2fel, and 7 other Tag Wrangling Volunteers
Departing Translation Volunteers: weliuona and 2 other Translators
Departing Volunteers & Recruiting Volunteers: Alisande and 2 other Volunteers

For more information about our committees and their regular activities, you can refer to the committee pages on our website.

The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, Transformative Works and Cultures, and OTW Legal Advocacy. We are a fan-run, entirely donor-supported organization staffed by volunteers. Find out more about us on our website.

https://archiveofourown.org/admin_posts/33836

https://archiveofourown.org/admin_posts/33831

Every month or so the OTW will be doing a Q&A with one of its volunteers about their experiences in the organization. The posts express each volunteer's personal views and do not necessarily reflect the views of the OTW or constitute OTW policy. Today's post is with AuroraT, who volunteers as an administrative volunteer for Open Doors.

How does what you do as a volunteer fit into what the OTW does?
I'm an administrative volunteer with the Open Doors Committee, which helps import at-risk digital archives to AO3 in order to preserve fanworks that might otherwise be lost. I'm responsible for project management, walking an archive and its archivist through our lengthy import process. We put a lot of effort into keeping track of the metadata for each work and respecting creators' privacy, so a lot of what I do involves managing spreadsheets and communicating with the archivist, other committees in the OTW, and other teams in the Open Doors Committee. I also write documentation for the committee, updating or writing down our procedures and information about the archives I'm managing.

What is a typical week like for you as a volunteer?
There's a lot of variety in what an import project requires, so my weeks tend to vary a lot. Sometimes, I'll spend one of our weekly meetings working on a single task, such as preparing the documents we need to initiate a new import or cleaning up a spreadsheet. Other times, I'll jump around from task to task: emailing a different committee, discussing a procedure change with other admin volunteers, responding to feedback on documentation I wrote, creating the AO3 collection where we'll add the works we imported, answering a ticket from a creator wanting to claim works we previously imported, and so on.

What made you decide to volunteer?
I'm a huge supporter of the OTW's mission to preserve fanworks and fight censorship, and I had been watching calls for volunteers for positions I was qualified for in order to contribute to those efforts. I'd recently gotten much more into fanwork preservation when I began working at a library with a zine collection, where I was managing cataloguing and shelving a backlog of donated zines. Project management and working with spreadsheets is a lot of fun! When I saw the application for the administrative volunteer position, it seemed in line with my interests and skills, so I applied.

(Coincidentally, and unbeknownst to me when I applied, the library I was working at is one of Open Doors' partner institutions for our Fan Culture Preservation Project, which helps connect donors with physical fanworks to libraries and archives with zine collections. Some of the donations I was processing were facilitated with the help of Open Doors!)

What has been your biggest challenge doing work for the OTW?
It's absolutely task management. Our process for importing an archive is over a hundred steps long and some of those require a lot of prep work and communication between people. And that's not even including documentation or other administrative work! Thankfully, through the miracle of digital checklists and automatic reminders, as well as the detailed procedure instructions Open Doors has written over the years, it's not too difficult to keep on top of everything. Plus, I have my lovely fellow committee members to help out when I need it :)

What fannish things do you like to do?
I read a lot of fanfiction these days, especially longfics—the one I'm currently reading is over 430k words long and still being published. I also really like to leave long comments on the fics I read. It's a lot of fun to get that sweet, sweet AO3 email that the author responded to me! Recently, I started writing fanfiction for the first time in several years. Joining a new fandom really helped get those creative juices flowing.

Now that our volunteer’s said five things about what they do, it’s your turn to ask one more thing! Feel free to ask about their work in the comments. Or if you'd like, you can check out previous Five Things posts.

The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, Transformative Works and Cultures, and OTW Legal Advocacy. We are a fan-run, entirely donor-supported organization staffed by volunteers. Find out more about us on our website.

https://archiveofourown.org/admin_posts/33831

http://archiveofourown.org/admin_posts/33731

PhoenixSong.net, a Harry Potter fanfiction and fanart archive, is being imported to the Archive of Our Own (AO3).

In this post:

• A bit of background explanation
• What this means for creators who have work(s) on PhoenixSong.net
• And what to do if you still have questions

Background explanation

PhoenixSong.net is being archived at AO3 to help ensure that the works will remain available. AO3 will also give its users the ability to review and respond to reviews, which hasn’t been the case at PhoenixSong.net for a while now.

The purpose of the Open Doors Committee’s Online Archive Rescue Project is to assist moderators of archives to incorporate the fanworks from those archives into the Archive of Our Own. Open Doors works with moderators to import their archives when the moderators lack the funds, time, or other resources to continue to maintain their archives independently. It is extremely important to Open Doors that we work in collaboration with moderators who want to import their archives and that we fully credit creators, giving them as much control as possible over their fanworks. Open Doors will be working with Sherylyn to import PhoenixSong.net into a separate, searchable collection on the Archive of Our Own. As part of preserving the archive in its entirety, all images currently in PhoenixSong.net will be hosted on the OTW's servers, and embedded in their own AO3 work pages.

We will begin importing works from Phoenixsong.net to the AO3 after November. However, the import may not take place for several months or even years, depending on the size and complexity of the archive. Creators are always welcome to import their own works and add them to the collection in the meantime.

What does this mean for creators who have work(s) on PhoenixSong.net?

We will send an import notification to the email address we have for each creator. We'll do our best to check for an existing copy of any works before importing. If we find a copy already on the AO3, we will add it to the collection instead of importing it. All works archived on behalf of a creator will include their name in the byline or the summary of the work.

All imported works will be set to be viewable only by logged-in AO3 users. Once you claim your works, you can make them publicly-viewable if you choose. After 30 days, all unclaimed imported works will be made visible to all visitors. We will then permanently close down the site.

Please contact Open Doors with your PhoenixSong.net pseud(s) and email address(es), if:

1. You'd like us to import your works, but you need the notification sent to a different email address than you used on the original archive.
2. You already have an AO3 account and have imported your works already yourself.
3. You’d like to import your works yourself (including if you don’t have an AO3 account yet).
4. You would NOT like your works moved to the AO3, or would NOT like your works added to the archive collection.
5. You are happy for us to preserve your works on the AO3, but would like us to remove your name.
6. You have any other questions we can help you with.

Please include the name of the archive in the subject heading of your email. If you no longer have access to the email account associated with your PhoenixSong.net account, please contact Open Doors and we'll help you out. (If you've posted the works elsewhere, or have an easy way to verify that they're yours, that's great; if not, we will work with the PhoenixSong.net mod to confirm your claims.)

Please see the Open Doors Website for instructions on:

• importing your works to the AO3
• adding your works to the new collection PhoenixSong.net

If you still have questions...

If you have further questions, visit the Open Doors FAQ, or contact the Open Doors committee.

We'd also love it if fans could help us preserve the story of PhoenixSong.net on Fanlore. If you're new to wiki editing, no worries! Check out the new visitor portal, or ask the Fanlore Gardeners for tips.

We're excited to be able to help preserve PhoenixSong.net!

- The Open Doors team and Sherylyn

Commenting on this post will be disabled in 14 days. If you have any questions, concerns, or comments regarding this import after that date, please contact Open Doors.

http://archiveofourown.org/admin_posts/33731